Anarchy Books

A collection of Anarchy related books :

Crypto anarchy, cyberstates, and pirate utopias By Peter Ludlow
In Crypto Anarchy, Cyberstates, and Pirate Utopias, Peter Ludlow extends the approach he used so successfully in High Noon on the Electronic Frontier, offering a collection of writings that reflects the eclectic nature of the online world, as well as its tremendous energy and creativity. This time the subject is the emergence of governance structures within online communities and the visions of political sovereignty shaping some of those communities. Ludlow virtual communities as laboratories for conducting experiments in the construction of new societies and governance structures. While many online experiments will fail, Ludlow argues that given the synergy of the online world, new and superior governance structures may emerge. Indeed, utopian visions are not out of place, provided that we understand the new utopias to be fleeting localized “islands in the Net” and not permanent institutions.
The book is organized in five sections. The first section considers the sovereignty of the Internet. The second section asks how widespread access to resources such as Pretty Good Privacy and anonymous remailers allows the possibility of “Crypto Anarchy”—essentially carving out space for activities that lie outside the purview of nation states and other traditional powers. The third section shows how the growth of e-commerce is raising questions of legal jurisdiction and taxation for which the geographic boundaries of nation-states are obsolete. The fourth section looks at specific experimental governance structures evolved by online communities. The fifth section considers utopian and anti-utopian visions for cyberspace.

Living Anarchy: Theory and Practice in Anarchist Movements By Jeff Shantz
It is widely accepted that documents on Ottoman architects are rare and that little is known about the architectural practice in the Ottoman world. A group of texts that have appeared between sixteenth and eighteenth centuries, however, form an exception to this general assumption. While these texts have been cited and referred to in diverse previous studies on Ottoman architecture, they have not been the topic of a major interpretative approach before. A Study of Ottoman Narratives on Architecture: Text, Context and Hermeneutics is the first interpretive and comparative research monograph to feature these texts as its main theme. This is the first translation of these works that contextualizes and interprets their importance in English.The first text is a group of five documents that date back to the sixteenth century. They comprise memoirs and building lists written in prose and verse which belonged to prominent Ottoman architect Sinan. The second text was written under the influence of the first group of documents and is in a similar format. It comprises a memoir dedicated to Sedefkar Mehmed Aga, who worked as the chief imperial architect in the seventeenth century, and also provides information on architectural terms and makes comparisons between architecture and music. The third text is different from the first two: it is a monograph about the Selimiye Mosque written in prose in the eighteenth century by Dayezade Mustafa, who was a complete outsider to architecture. While the three texts have quite different historical and thematic contexts their point in common is their rendering of architecture through narratives. From a hermeneutical perspective, the book compares narratives of the texts with contemporary historiography on Ottoman architecture.

Fight Club By Chuck Palahniuk
The rise of a terrorist organization, led by a waiter who enjoys spitting in people’s soup. He starts a fighting club, where men bash each other, and the club quickly gains in popularity. It becomes the springboard for a movement devoted to destruction for destruction’s sake.

Choke: a novel By Chuck Palahniuk
Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

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